It's a Rap for this Mummy

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It's a Rap for this Mummy - Oct 26, 2009

Glen: Hello.

Danea: Hello Glen?

Glen: Yep.

Danea: Hey, it’s Danny boy.

Glen: Where the hell are you?

Danea: Alright. How's the world turning?

Glen: Pretty good. Pretty good.

Danea: I was talking to Jerd. He said you had some issues going on over there . You heard some
type of noise from underground or something over there?

Glen: Yeah. There was a test done on rumbling below ground, and it appears as if the noise would
come from some kind of conveyor system.  Coming right down the middle between the RV and
the house and straight back past the barn-

Danea: Your RV or?

Glen: No, well, it comes past my RV, but it's between the one RV that's next to the house that
belongs to the girls.

Danea: Oh right, right. Yep. Oh wow that close huh?

Glen: Yeah.

Danea: Well, that's right by where you want to dig right?  That's where the hole is kind of in the
vicinity.

Glen: Yeah. It's basically right underneath there.  If we ever got to get 23 feet down below, we
would probably be at the roof of whatever is below us.

Danea: Has that gone away?

Glen: Well, it seemed to have operated specifically one night when I was out watching some
activity in the back waiting to see if I could see who was coming in from Mu ssell Street [Road],
and while I was sitting on the ground, the ground started to shake.


Danea: Wow.

Glen: It was shaking and I thought it may have been an earthquake , but Barbara who lives in
California said, no, if it was a normal earthquake the shaking would be kind of sideways motion
like you get on a ship with the waves , it makes you kind of seasick.  It wasn't like that, that was
kind of bumpy.  So, it could be an up and down type of volcano which is basically what I then
suspected. But the Cell used some equipment and they say, no, it's more like a conveyor system.
So it could be that below us is an e ntry from the creek and then a conveyor to take things in
further inland wherever it goes.

Danea: Wow. So, I guess in a way , that could be a good sign because then that showed that
something really is there, as far as verification goes.  Bad thing, they could be taking something
out of there, but if the structure is still there then that's pretty blatant.

Glen: You can’t hide the structure.

Danea: Right. So, it'll be a fin d regardless. I just hope that they're not taking things out of it.  If
they have access to it from down there already, or they're trying to create access. I don’t know.

Glen: I would imagine that this stone underground extends to much of the area from here , all
the way out to the main highway 43 , and beyond to the river . I don't know how much of it is
taken up but I suspect that the little railway station on the way to town is probably a drop off
point or a pick-up point. It doesn't usually see any trains stop there during the day but I'm told
that it happens quite often at night. And the trains have been studied because the whistle seems
to be a coded message, rather than just blowing that they're on their way.

Danea: Like a Morse code type?

Glen: Morse code type whistling and it happens all night long. Scottie there, (Tom from Scotland)
tried to sleep outside one night and he said he just couldn't get to sleep because of the whistles
of the train.

Danea: Ahh yeah. I remember him saying that.

Glen: The other strange part about trains is that it's driven by “local motive” ⇢ motive is crazy.

Danea: Well, what I know about trains, when they're going over a crossing, I believe they have to
hit the horn at least four times before and then as they're approaching it, it's a hold and it's like
two or three rapid ones as they're going over and they hold it down as they're actually physically
crossing the crossing. So, it's just like one, one, two, one, two, three. When they get closer, they
speed up and you just hear the continuous one when they go through it.



Glen: We need somebody who understands Morse code to sit there one night and just listen,
making notes.

Danea: We should get a recording device and at least have it on.  I've seen some of the tables
where they with the coded messages mean- (I had a table when I was younger)  How many clicks
mean this or that , or alphabet or something like that.  So, it would be nice if we could get a
recording of that and then we can analyze it whenever. Or if they change…

Glen: There's a job for you.

Danea: I'd be curious to see if they change every night or if it's the same one. If it's the same one
then maybe it's like, okay, but if they're changing every night then that would be something to
think about.

Glen: And o f course, you're dealing with at the corner of the highway turning into this area ,
(Country Road 25) right there, there's a little stone church. It could be well maintained outside,
but never the appearance of any activity.  When is it being used?  It's about a kilometer away
from the railway station. It's on the highway, therefore it could be used as a drop -off point and
stuff moved at night.  There's also a big antique shop in a big red brick house  in that area that
could be part of that whole mechanism of loading and unloading stuff.

Danea: I'd like to get a look at their basements, too.

Glen: Yeah. Well, there's a house for sale across from the little church , it's a stone house , and
Barbara and Frank from California , have an interest in moving up here during the summertime
and going back to California in the wintertime. They're considering that corner house. It's a stone
house that has just been renovated, and it was built in 1836, the original.  But it looks in pristine
condition now that it's all renovated-

Danea: Yeah, it was nice. Tom drove me by it on the way back one time.

Glen: It needs landscaping, of course.  Nobody's ever done any work outside there.  But Barbara
just loves that kind of stuff.

Danea: She'll have her Zen Garden everywhere.

Glen: She would like to operate a kind of a bed and breakfast for people who are coming to
seminars. Because when they came for theirs, they weren't satisfied with the hotels in the area ,
and they would travel back and forth to a hotel in Ottawa. They thought it would be a great thing
to have a bed and breakfast there, specially designed for people coming here.




Danea: Yeah. It's not that far, either.  That would be more convenient and less crowded where
you're at. You don't have to worry about certain things or people. I've had some events that took
place on my computer that have . I don't know if it's because information I get from you is on
there, or what. But one of my external hard drives, probably about a $160 hard drive, fits about
a thousand gigabytes , bought it maybe less than two months ago.  I have tons of research on
there, and it's shot.

The thing doesn't even turn on anymore, and they're telling me that they'll replace the drive itself,
but they can't replace the data that's on it. I called up a place to see how much it would cost for
data recovery, and the guy is telling me $1,700, $1,800, just to get what I have off of there. Wow.

My memory card – I don't know if you remember, after I took pictures up there, I tried to upload
them onto your computer and it wouldn't work. Your memory card reader wouldn't read my card,
and I couldn't put your pictures on there, but now my memory card, it's so slow, it drags. I put it
back on my camera now, and it just does not work properly anymore.

Glen: I've tried to upload an encyclopedia into that computer and it just doesn't recognize it.  It
keeps telling me to put a disk in.  I wanted to slap it , hehe. I put the disk in  idiot. I took the disk
with the Bible and I put it on and it loads it right away.

Danea: I don't know. Everything looked in perfect condition though, but just little things like that,
like you're saying, trying to load things on there, it just doesn't work properly. I don't think any of
those type of drives are working.

Glen: I'm going to have to wait until they come  (Frank and Barbara from California ) because
they're the ones who sent it to me.  Frank has been using that computer for a number of years.
He just upgraded his, that's why he sent me that one. So, he would know probably what's going
on with it. He's a computer design person. He specialize(s) in marble and he does all the design
on that computer.

Danea: Yeah, I'm sure it'll be a 1-2-3 thing, hopefully, for him.

Glen: Hopefully. I don't want to plug it online  maybe never, but at least until I'm certain of
everything and how it works without the interference of the internet.  I've got dictionaries and
encyclopedias and stuff like that that I want to have as a backup. I can basically be searching things
while I have to spend time with Tom watching a hockey game or something.

Danea: Another thing that happened - this is all within the same maybe two or three days. The
same day my hard drive went, because I left it plugged into my computer, which I usually don't
do because I know it's hooked to the internet , and they could always shoot some type of signal
in. But they closed my YouTube account where I had all of your videos on there, I had your website
linked on there. Hehe, I guess that's a no-no.


Glen: They finally came around to grasping the concept and said, oh, you can't say that on our
stuff.

Danea: All after I came back from seeing you.  Whatever, it won't stop me. It's just a pain in the
butt, but I could work my way around that stuff.

Glen: Does that mean that no one can access my video on YouTube?

Danea: No. I just had it backed up on my page. Because I had certain videos on my page that get
a lot of views daily, so if people click on my page, they can see your site. So, maybe you'll get one
straggler here and there that would read it , was the intent.  Other than that , actually, I think
another way how I've changed a little more since coming back is before I went up there I was
more researching the system more, and things you were saying, verifying it.

But I think after going to the farm, it's more about being in the mind of solutions instead of just
trying to know what's going on.  I've read about it enough for a number of years and now it's
stopping it. I think that's what changes. I think people need to get up there because once you see
it, you can visualize everything. You do the workshop and then you can mentally see everything,
and you know what you’re talking about You can read about it forever, it'll never stop. There's so
much stuff out there.

Glen: One of the things that I've realized is that because they are in a mindset of ritual and
ancient history and everything, in trying to locate exactly what it is they're working on, I have
basically settled on the period from the Middle Kingdom to the New Kingdom in Egypt , and
especially the story of Akhenaten. Primarily, because the characters that are being attracted to
CIPI all seem to have a relationship to the characters that appear in the story surrounding
Nefertiti, Akhenaten, Ay, the Queen Tiye, and their children, and all of that stuff.

And it struck me when I was looking through the dictionary that the spelling of “Akhenaten” is
different if you're really following the Egyptian translation, it starts with an “i” ⇢ I-K-A-N ⇢ “I
can”. And that really blew my mind when I started looking at it, and it appears as if that is the
point in time where they were transferring power from the male pharaoh to a female pharaoh
who would not be a female . They didn't, of course, want a female running the show, but they
had to make someone that looked feminine to be in the role of the pharaoh.

And a hundred years prior to Akhenaten, you have the story of Hatshepsut, and every pharaoh
that takes over, (and she was the first supposedly female pharaoh ) every pharaoh has to take
the sphinx and design it to represent their reign , and her activity was to put a beard on the
sphinx, a squared beard representing her, which would suggest that you may have a feminine
looking face, but with a beard that relates to the male.




Then you have Queen T iye, who ruled as a regent between the time of Amenhotep III and
Akhenaten, whose name was Amenhotep IV . She was in there in the middle, and the mother
supposedly of Akhenaten, waiting for his arrival from Syria, where he had been banished from
birth, and during that time, she designed a sphinx which was breasted for the first time, and
with wings. Of course, wings suggest for a later time, at a later date or something like that. So,
the breasts basically suggest that they've moved beyond the just looking superficially like a
woman to being like a woman, with the ability to breastfeed, that kind of stuff.

But the whole interesting story is about the kids that she has , and the story is that she has 3
children, and maybe 4, but 3 at the beginning.  Then there's a break as Akhenaten grows up ,
and after he's there, and he supposedly has 6 girls with Nefertiti, she begins to have children
again, a girl and 2 boys, the last one being Tutankhamun. All of that is suspicious, that none of
the children were in fact born in the normal fashion.

She is running a place for the women, a harem, supposedly for her husband, Amenhotep III ,
and he's gay, and he doesn't want anything to do with women except he had to have a queen,
so they were basically married. But she was already married to her brother, and it seems as if
none of the women in the harem ever had anything to do with the king, and yet babies are
produced.

So, it's a little bit like the Latter -day Saints, or nuns in a nunnery, or Vestal Virgins in the old
days, where they're running a laboratory and the women there are acting as incubators , and
the conclusion that I came to is that she not only took credit for giving birth to Akhenaten, but
her brother, who was her first husband, takes credit for giving birth to Nefertiti, and I think both
of them come directly out of the lab. Nefertiti disappears after making six girls, and that's when
the queen comes back and takes over the baby-making process.

Gives birth supposedly to one girl, Beketaten, whose name is copied off of Akhenaten's second
girl, who was  Meketaten. Meketaten, I suggest, becomes Beketaten because she dies young,
and they would use her DNA to make the second one and change it from  “M” to “B”. The big
change going on in Canada's banking system over the last five or ten years, has been the change
of the name from  “Bank of Montreal” to “M-Bank”, and “M” to “B” is linked in there as well .
So, it's a really interesting puzzle, that whole Akhenaten/Ikhnaton situation, that deserves a lot
more research. I say “research” because the searches have already been done.

Danea: Yeah. Well, their whole lifestyle suggests engineering anyway; mummification, preserving
the bodies like that to be brought back again-

Glen: “Museums”, “mummies”, all of that is all suggestive that mummies were the first
mothers.

Danea: Right, mummy, mama.


Glen: Come behind the pyramid, I'll make you a mummy.  That was one of the old jokes we had
when we were kids. None of the girls fell for it because there was no pyramid around.

Danea: So, it would have to be a mirrored pyramid as well, right?
Like to hold up in the sand?

Glen: Yeah, it has to be.  The others, the step pyramid, prove it.
The structure doesn't stand up [inaudible].

Danea: Right, yeah. A lot in masonry is based off - a lot of their
symbols come from Egypt…

Glen: And all of the activity at the Sphinx was that of an oracle. You know how that basically is
supposed to work, is there's a tripod, the woman is sitting on the tripod, it's over a hole in the
ground, but this is inside the Sphinx below ground , and she is getting , supposedly, messages
from down below in some kind of speaking in tongues language , and  she relates it to the
priesthood, who then tells the people what was said. Now, when you put priests as middlemen,
that's like having the New York Times telling you what the hell is going on, and they always put
their turn on the interpretation, which has proven over time to be bullshit most of the time.

Danea: Yeah, the controlled spin.

Glen: Yeah. The people would go and ask the oracle a question, an answer would come up, the
priest would interpret it, get paid the money and, hey, rule the world by what you tell them .
No priesthood here.

Glen: Most of the viziers and seers were, in fact, priests.

Danea: The middlemen.

Glen: Yeah. Mede ⇢ Media | Medi - Cine. There's a lot of clicking going on , on this phone line
here.

Danea: I hear it.

Glen: Must have all of Bell Canada working overtime.

Danea: Little ol’ us huh?

Glen: I hope they hear properly and wake up before we're all dead.

Danea: They're starting to show those previews now for that 2012 movie.  Remember the one I
showed you on my phone?


Glen: Yeah, yeah.

Danea: Now i t's on everywhere. I think a lot of the problem is that people don't know how to
read allegory. So even when they're watching a movie or reading a book, they don't know how to
get that overstanding, so it just won't make sense.

Glen: They see and they take it for its surface interpretation, and they cannot put their mind in
the mindset that this is for the dummies, and contained therein is a true story for the initiates.

Danea: And that's Masonry 101. It doesn't matter [to] the masses, but even the people that are
supposedly looking into this information, they're basically still the masses too. They're just on a
different level, I guess. But they can't see it , and they argue it as well. [They’ll say] how can you
verify this? How can you not? How can you not see this?


Glen: It's all around you, everywhere you look . But one of the main things that masons are
stuck on stupid about is the fact that men are more important than women . When in fact,
modern masonry since 1717, only exists for the purpose of finding the women who will carry
babies to term within society itself. They don't have a problem making babies, but it's the social
engineering that comes afterwards that is not available in a lab , or in a monastery , or in the
moho or whatever. They have to put them in the r eal world, and it’s t he whole purpose of
masonry is to promise a guy money if his wife will do something.

Danea: That's why they need weemen, right? So, they can…





Glen: Yeah. In the end, the women are what is called the “fusée” in a watch. The priests, the men,
are like the mainspring , and as a mainspring unwinds, it changes the pull on what it's pulling
and therefore, throws it off kilter. But by adding a smaller cone-shaped groove cylinder in there
they call it fusée, it takes up the slack and eliminates the effect of the spring winding down and
equalizes the spaces so that everything comes out exactly based on 0.01 seconds within a
certain period of time. I think it's 60 days or something like that.

So, it's the same thing as a flare on the highway. It's a big match that you spark and it ignores the
conditions on the outside. It's not affected by wind, it's not affected by rain , snow, it just keeps
on burning. So, the word fusée by itself is interesting because the first letter is “F”, the last one
is “E”, which is the symbol for iron . The middle part is the name  “Sue”. Therefore, what it's
describing is the role of an iron lady. An iron lady is not a “woman”, it's a “weeman”.


Danea: Scary. So, the newer ones would be like the younger generation, like
the Chelsea Clintons?

Glen: Yeah. You're basically dealing with a conversion going on in our
modern age. I like to use “Golda Meir” as number one. She wears a dress,
therefore, she must be a woman. Is ugly as hell.

Danea: Barely.

Glen: And then you move up to Margaret Thatcher, the iron lady who went to war in Argentina,
and from that you move to a Condoleezza Rice , or a Hillary Clinton, an iron lady with brains .
But the ultimate product has to be, I think her name is Kirchner [Cristina Fernández de Kirchner]
or something like that, the president of Argentina who was elected once her husband resigned
and she ran in his stead. Or Carla Bruni, the wife of the president of France. You’re dealing with
long legs, great body-

Danea: But isn't she around the same age as Hillary or maybe a little younger than Hillary?


Glen: Yeah, yeah.

Danea: So why wouldn't, say a Hillary be prettier if they were kind of around the same age?

Glen: Well, she was part of the improvement project . But she's always in a pant suit , and you
don't want the perfect woman to be copying a male. You want her to use her attractiveness on
the outside to attract people in as a female, so pant suits aren't in, in this role. Of course, Carla
Bruni has her picture taken nude. Now she'll sue anybody who'll print it without her permission.
But she's about 6'1 or something, long legs. How can you get mad at somebody like that?

It's the same thing with the governor of Alaska , Sarah Palin. How many people, when you ask
them, males especially, would say, I wouldn't vote for her. Most of the people would say, I'd vote
for her if she let me out of bed . That's the key, you get over all of the arguments if the person
looks terrific.

Danea: Sex sells, right?

Glen: Automotive industry has known that for years ⇢ Reincarnation ⇢ car nation

Danea: Yes. Control the car nation. Rein them in.

Glen: What else is going on in your life?

Danea: Well, I'm still studying, trying to learn this Japanese language to see if I find some RAM
memory in some ROM people.

Glen: Did you ever put any of your music on a disc?

Danea: No, not yet. I was filmed for this public access show a couple of weeks ago that aired, but
I should be getting a copy of the DVD soon, but I've never actually went to the recording studio.

Glen: Well, even if homemade, if you make one, send me one. I think it's a really intriguing sound.
It probably has a purpose beyond just the notes.  It may have a physical thing. At least that's the
sense I get when I was listening to it. It may have a physical reason for existing. It's a little bit like
what the priests sing in church there in the Buddhist temples and the old Gregorian chants and
all of that. I'm sure that all of those sounds are connected and are basically a language speaking
to your nervous system.

Danea: Yeah, definitely. The shamisen probably came into Japan around the mid -to-late 1600s,
1700s.

Glen: Well, that was in the time it was under domination by the Americans, the Jesuits.  1650
to 1850 approximately.


Danea: Right. They were shut down.

Glen: Yeah.

Danea: Not the shamisen I brought to your house, there's another genre of it that I play as well.
The one that I didn't bring up there has a different melody they use, and they use it in the Kabuki
theater. It's descriptive music for dancers or something like that, it's an orchestra piece.

Glen: By the way, Kabuki is part of “Noh Theater”. “No” [No-Amon] was the name of Thebes in
the time of Egypt. “N-E” or “N-O” was the name of the town we now call Thebes ⇢ The Bees.
Noh Theater is sometimes spelled “N-O-H”. This basically means it's connected.

Danea: Right, the “H”.

Glen: Yeah.

Danea: That is interesting. If I record something I'll definitely send you a copy. I still have to send
you the pictures. I have to see because I had them on that hard drive , and I think I have them
backed up on my computer. I have to find them, all the pictures I took.  But they're on the web
too, so some people are copying them and putting them on different forums.

I found them on a different forum. I guess it's good. It's funny, the pictures I thought would bring
the most attention, like the tombstone, no one said anything about it. That's the one I would have
talked about the most. I kind of laid it out there to see who would say what to which picture and
see what kind of discussions it would spark up.

Glen: By the way, the Minister of Defense at the time of Akhenaten has a long name [unsure if
it’s Nakhtpaaten, Paatenemheb, Tutu-pa-aten, Penthupaaten] that has Patten in the middle.

Danea: Oh, really?

Glen: That's the name on the tombstone here, Patten.

Danea: Right. James Patten.

Glen: He was the general in the U.S.

Danea: That's what I thought of the general when I first saw it, but the dates were obviously
wrong.

Glen: I went to the cemetery today and saw the tombstone for Floria, the wife was buried in 1904.
She died at the age of 67, and he had died at 37, and there is a little inscription on the side of the
tombstone that mentions the baby as well. There they give him a name, “James”, as well, which
is basically just saying, “I am” ⇢ “ici I am”. “E-S” would stand for “here”, and then “I am”.

Danea: Is that right at the grave yard around the corner from you?

Glen: Yeah, it's on the way to Bishop's Mill. So, Bishop's Mill is about four kilometers from here,
and this is about halfway, about two kilometers from here, and the tombstone is right out in front.

Danea: Is it the same kind of tombstone? Does it look the same?

Glen: No, a modern tombstone, which as well is intriguing. Who changed it? Who put it there?
Heavy duty one.

Danea: And it comes up? Nowadays they have them kind of on the ground, just flat flush.

Glen: No, no. This one is a rectangular type shape, about four to five feet up off the ground.

Danea: Oh, wow. That's a decent size. I've never seen graphics on a tombstone like that before.
That's probably one of the most interesting tombstones I've ever seen, besides the masonic ones
that are 20 feet tall and angels on them and stuff like that, with obelisks.

Glen: I'd like to put this whole tombstone inside a machine, electronic scanner of some kind, and
see if there's anything in the base or on the side where it was broken at the bottom or behind the
black lettering. It would be interesting to know if there's anything there.

Danea: And the hand that's on there?

Glen: Yeah. And I saw a similar hand in the cemetery on another tombstone pointing up , and
many of the tombstones mention “AE” and the diphthong together, a certain number of time,
number of years. I think t his one here says AE 37 years. There were different amounts of time
attached to that AE. So, it must be “E” is the plan and “A” is the product, an A-slave, A-shaped
male-female linked together.

It would be interesting to go through that entire cemetery. It's not a large one, but it would still
take half a day, I think, to go from one tombstone to the other. I did see masonic symbols on some
of the tombstones, compass and stuff. In any event, Danny, I have to get ready because I'm going
to get a call from Barbara in 10 minutes.

Danea: Oh ok.

Glen: I have to bring out some stuff that she wants to know about on this Akhenaten business ,
what her role is, and one of these days we'll have to define what your role was in that whole story.
Once I have all of the names listed and what they did back then, then I can come back and
marry them to what attracted people to the Institute here and what is their talent, what is their
role in life to see how it attaches to those things there. According to the Cell, it's linked to the
phrase, “Unfinished Symphony”. So, they began the process and we here are supposed to pick
up and finish the process, whatever process one describes. I have to go now. Sorry about that.


Danea: That's alright.

Glen: Monday night is Barbara's night when she calls.

Danea: Okay, I'll remember that. Alright, have a good one.

Glen: You too.

Danea: Alright, take care. Bye.